<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
     xmlns:dc="http://purl.org/dc/elements/1.1/"
     xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
     xmlns:admin="http://webns.net/mvcb/"
     xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
     xmlns:content="http://purl.org/rss/1.0/modules/content/"
     xmlns:media="http://search.yahoo.com/mrss/">
<channel>
<title>Counterpoint &#45; : Film and Media</title>
<link>https://counterpointbd.com/rss/category/Film-and-Media</link>
<description>Counterpoint &#45; : Film and Media</description>
<dc:language>en</dc:language>
<dc:rights>Copyright 2025 counterpoint&#45; All Rights Reserved.</dc:rights>

<item>
<title>How Stories Come to Me</title>
<link>https://counterpointbd.com/How-Stories-Come-to-Me</link>
<guid>https://counterpointbd.com/How-Stories-Come-to-Me</guid>
<description><![CDATA[ A film begins as something completely private. It lives inside you. And then you try to give it a life outside yourself. ]]></description>
<enclosure url="https://counterpointbd.com/uploads/images/202610/image_870x580_6ac239facef5f.jpg" length="40953" type="image/jpeg"/>
<pubDate>Sun, 04 Oct 2026 17:35:32 +0600</pubDate>
<dc:creator>Rubaiyat Hossain</dc:creator>
<media:keywords>The Arabian Nights, Portuguese, The Salt Route, The Difficult Bride</media:keywords>
</item>

</channel>
</rss>