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<title>Counterpoint &#45; Rubaiyat Hossain</title>
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<description>Counterpoint &#45; Rubaiyat Hossain</description>
<dc:language>en</dc:language>
<dc:rights>Copyright 2025 counterpoint&#45; All Rights Reserved.</dc:rights>

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<title>The Chemistry of Cinema</title>
<link>https://counterpointbd.com/the-chemistry-of-cinema</link>
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<description><![CDATA[ If filmmaking were simply the execution of something that already existed perfectly inside the director’s head, then perhaps the people around the director could be interchangeable. But I do not believe they are. The collective resonance of the actor and crew establishes a soul to the cinema. ]]></description>
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<pubDate>Thu, 27 Aug 2026 11:18:49 +0600</pubDate>
<dc:creator>Rubaiyat Hossain</dc:creator>
<media:keywords>Filmmaking, Cinematography</media:keywords>
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<title>When Directors Become Gods</title>
<link>https://counterpointbd.com/When-Directors-Become-Gods</link>
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<description><![CDATA[ I would like young directors to understand that leadership does not require worship. I would like film sets where collaboration replaces hierarchy, where respect replaces fear, and where women are encouraged not only to appear in front of the camera but also to shape what happens behind it. ]]></description>
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<pubDate>Thu, 11 Jun 2026 14:03:22 +0600</pubDate>
<dc:creator>Rubaiyat Hossain</dc:creator>
<media:keywords>Laura Mulvey</media:keywords>
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<title>The Colour of Prejudice</title>
<link>https://counterpointbd.com/The-Colour-of-Prejudice</link>
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<description><![CDATA[ It is often the person of colour who has to bring up colonialism in the room. To name racism even when it makes everyone uncomfortable. To remind people that representation is not neutral, and that curiosity does not absolve power. ]]></description>
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<pubDate>Thu, 08 Jan 2026 14:31:00 +0600</pubDate>
<dc:creator>Rubaiyat Hossain</dc:creator>
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